Pre Amp

Pre Amp Would a seperate pre amp really make a difference? I have a Parasound HCA 1200 amplifier that I am driving with an old Pioneer reciever (SX-780) silver face, analog. Driving the amp from th...


Pre Amp
Pre Amp
Would a seperate pre amp really make a difference?

I have a Parasound HCA 1200 amplifier that I am driving with an old Pioneer reciever (SX-780) silver face, analog. Driving the amp from the headphones jack. I am thinking of getting a Carver or Adcom pre amp. Do you think it will sound audibly better? I’ll tell you this, my speakers sound way better through the Parasound than they did with the Pioneer receiver driving them. Particularly in the bass. Any thoughts?

There are two levels of audio, mic level and line level. Mic level is not enough to drive an amplifier and requires a preamp. (Many amps have a built-in preamp and, depending upon input, will access it or bypass it.)

Line level does not require a preamp. In fact, if you do try to run line level into a preamp, all you’ll do is distort the audio something horrible. No if’s, and’s, or but’s about it.

Why two different levels? The stronger, higher lline level will travel further with less degradation. But the weaker, lower mic level will maintain better frequency response over the same distance.

CD players, DVD players, tape players, use line level. Some old turntables also use line level from the ceramic cartridge pickups with the needle. But for better quality vinyl playback, the better turntables used mic level magnetic cartridges.

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The signal from a microphone that picks up is actually very low, and needs to be strengthened so it can be used with the recording device. This is exactly what is a microphone preamplifier is, it increases the signal to a level that is useable for recording.

Initially, you probably want to use pre-amplifiers built into your mixer or interface, if you happen to have good, since it saves money. However, these types of preamplifiers are often a rather low quality. Basically, with mic preamps, you pay for the sound quality. Musicians after the best deal as it might sound spend $ 3000 on a preamp. However, if you are just beginning and perhaps a budget of $ 1000 can use the preamps on your mixer or your audio interface.

It is not only budget that affects the quality of output in the preamp, you must also know how to properly set levels, etc. Let's talk a little about the features you'll find most mic pre, and some tips to ensure you get optimal sound.

Entry – Set the input high as possible to provide the meters are not crossing into the red. After reaching the levels of red is the introduction distortion, which will go through the entire signal path. The sense that when you listen back to your record in the team, who are likely to hear a lot of clicks. So again, press the signal as high as possible, but not let it enter into the red.

Pad – This is a great feature if you want to record other sounds than the guitar. For example, if you go to a microphone and sound source loud as the drum, even with the entry all the way back to the levels may still be catching red. Select this function and will help tame the sound and make it usable.

Phantom Power – This is a source of energy that is sent through a microphone cable to a microphone in need, as a condenser microphone. Is good to point out that some fairly inexpensive preamps offer only 30 v, and some condenser microphones can not perform his best at this level. It's good to have food Built-in phantom microphone preamp would otherwise have to obtain a separate phantom power supply.

Number of preamps – This can vary from a single right preamp through eight preamps in one box. What is recording usually determine how many need. Vocals are usually recorded in mono, while acoustic guitars could be recorded in stereo. Maybe you're recording a full band and require one for each amplifier and vocalist, along with several of the drums.

High Pass Filter - In general, this means that all high cross while reducing low. Microphones pick up an amazing amount of bass so this is a great feature to have. Of course, this can be corrected using the software, though well could solve the problem at source so you do not have to worry later.

We hope this has given him an idea of what a mic preamp does, and what features to look for when shopping around. Have a read through the bullet points again and compare your list of needs with the characteristics those available in a variety of preamps. Hopefully you will be able to find a product that suits your needs.

About the Author:

Richard Marples has over 10 years experience of playing and recording guitar, and also hosts a website exaplaining how you can record at home. If you enjoyed this article on Home Recording then you can get more free tips at =>
www.uncleslinky.co.uk

Article Source: ArticlesBase.comHome Recording Guitar – Why You Need a Mic Pre-amp

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